Tag Archives: news

Video/ Audio: One Year Ago Bob Dylan Released A Masterpiece, ‘Another Self Portrait’

A year ago, on August 26 in Europe, and on August 27 in the U.S., a masterpiece comprised of recordings Bob Dylan made in 1969, 1970 and 1971 was released.

It was such a joy to hear the songs on Another Self Portrait, (1969-1971) – The Bootleg Series Vol. 10, which included an amazing version of the old folk song, “Pretty Saro,” wonderful demos of “I Went To See The Gypsy” and “When I Paint My Masterpiece,” and so many more.

While I always liked the original Self Portrait, Another Self Portrait is the better album. Of the songs that appeared on Self Portrait, for Another Self Portrait the Nashville overdubs were removed. Overall, what we get are much more intimate versions of those songs, plus many songs that Dylan chose not to release on Self Portrait. Plus a previously unreleased (officially, anyway) ‘Basement Tapes’ gem, “Minstrel Boy.”

But really, we don’t have to choose between those albums, as they both now exist.

I wrote a lengthy review of Another Self Portrait which you can read here.

For me, “Pretty Saro” remains the standout track because of both how Dylan’s voice sounds, and the way he sings the song.

“Pretty Saro”:

Below is a very cool 11 minute mini-documentary on the making of Another Self Portrait. If you haven’t yet seen it, now is the time.

Bob Dylan – Another Self Portrait Documentary Short from Columbia Records on Vimeo.

Here’s a Spotify sampling from Another Self Portrait:

Or listen to the entire deluxe version of the album including the Isle of Wight live tracks here.

And here’s the original Self Portrait:

[I just published my rock ‘n’ roll novel, True Love Scars.” I’ve got a Goodreads. book giveaway going right now. Click here and enter.]

— A Days Of The Crazy-Wild blog post —

Video: Arcade Fire Cover the Pixies’ ‘Alec Eiffel’ in Boston

Arcade FIre in Boston.

Hear Arcade Fire’s latest cover, the Pixies’ “Alec Eiffel” off 1991’s Trompe le Monde.

They performed this at the Xfinity Center, Mansfield, MA.

You’ll hear the group play a bit of the group Boston’s “More Than A Feeling,” and then into “Alec Eiffel.”

[I just published my rock ‘n’ roll novel, True Love Scars.” I’ve got a Goodreads. book giveaway going right now. Click here and enter.]

— A Days Of The Crazy-Wild blog post —

Exclusive: Bob Dylan’s Hand-Written Lyrics For ‘Nothing To It’ – Check ‘Em Out Now!

Copy of the handwritten lyrics to ‘Nothing To It.’

Last year a box of lyrics that Bob Dylan had written during the summer of 1967 for songs that he never wrote music for, or recorded, was given to producer T Bone Burnett.

Now, for the first time, we get to see what the original page on which Dylan wrote the lyrics to one of the songs that will appear on the Burnett-produced album Lost On The River: The New Basement Tapes, looks like.

That song, “Nothing To It,” was released as a lyric video the other day.

Examining Dylan’s page of lyrics, we can see how Jim James rearranged the order of the verses and chorus for his version of the song.

The lyrics, as written by Bob Dylan:

You don’t have to turn your pockets inside out
But I’m sure you can give me something
You don’t have to go into your bank account
but I’m sure you don’t have to give me nothing

I knew that I was young enough
And I knew there was nothing to it
for I’d already seen it done enough
And I knew there was nothing to it

There was no organization I wanted to join
So I stayed by myself and took out a coin

There I saw sat in with my eyes in my hand –
contemplating killing a man – for
Greed was one thing I just couldn’t stand

If I was you, I’d put back what I took
A guilty man has got a guilty look

Heads I will and tails I won’t
So the decision wouldn’t be my own

The lyrics as sung by Jim James:

Well I knew I was young enough
And I knew there was nothing to it
‘Cause I’d already seen it done enough
And I knew there was nothing to it

There was no organization I wanted to join
So I stayed by myself and took out a coin

There I sat with my eyes in my hand –
just contemplating killing a man – for
Greed was one thing I just couldn’t stand

If I was you, I’d put back what I took
A guilty man’s got a guilty look

Heads I will and tails I won’t
Long as the call wouldn’t be my own

Well you don’t have to turn your pockets inside out
But I’m sure you can give me something
Well you don’t have to go into your bank account
but I’m sure you can give me something

Well I knew I was young enough
And I knew there was nothing to it
‘Cause I’d already seen it done enough
And I knew there was nothing to it

Well I knew I was young enough
And I knew there was nothing to it
‘Cause I’d already seen it done enough
And I knew there was nothing to it

And I knew there was nothing to it
And I knew there was nothing to it
And I knew there was nothing to it
And I knew there was nothing to it

So the changes Jim James made amount to starting the song with the chorus, then singing what follows after the chorus, then singing what for Dylan is the first verse, and then a return to the chorus.

And there’s one other change.

As Dylan wrote it, the first verse ends with the line:

but I’m sure you don’t have to give me nothing

But James repeats the second line of the first verse instead:

but I’m sure you can give me something

Check it out:

I’m looking forward to seeing what Burnett and his crew did with the rest of the lyrics. This one is an auspicious first song.

[I just published my rock ‘n’ roll novel, True Love Scars.” I’ve got a Goodreads. book giveaway going right now. Click here and enter.]

— A Days Of The Crazy-Wild blog post —

Audio: Leonard Cohen Debuts ‘Almost Like The Blues’ – Listen Now!

Excellent new Leonard Cohen song, “Almost Like The Blues,” off his upcoming album, Popular Problems, due out September 22.

[I just published my rock ‘n’ roll novel, True Love Scars.” I’ve got a Goodreads. book giveaway going right now. Click here and enter.]

— A Days Of The Crazy-Wild blog post —

Video: PBS Segment on Rock Photographer Lynn Goldsmith – Photos of Dylan, Jagger, Patti Smith & More

Photo by Lynn Goldsmith as seen in NYC PBS documentary segment.

NYC PBS ten minute documentary on photographer Lynn Goldsmith, who has shot Bruce Springsteen, Mick Jagger, Patti Smith and of course Bob Dylan.

And here’s a CBS This Morning segment on Goldsmith that includes a shoot with Patti Smith.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.]

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Video: Neil Young Delivers Devastating 11+ Minute ‘Cortez the Killer’ in Italy – July 2014

Neil Young & Crazy Horse, Italy, 2014.

Incredible version by Neil Young and Crazy Horse of “Cortez the Killer,” Barolo Square, Barolo, Italy, July 21, 2014.

Thanks, Thrasher, for reminding me about this clip.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: Stream New DJ Shadow 3-Song ‘The Liquid Amber EP’

Great new music from DJ Shadow, plus a remixed oldie.

According to Stereogum, DJ Shadow calls “Ghost Town,” “an ambitious ride through many of the micro-genres within the Future Bass umbrella that have inspired me recently,” and he calls “Mob” “an intentionally stripped-down, Cali-certified head-nodder.”

And there’s a remix of the 2002 single “Six Days” by Machinedrum.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Blurt’s Fred Mills Offers Moving Review of ‘True Love Scars’

And Perfect Sound Forever has an excerpt in the latest issue.

I’ve gotten many wonderful reviews so far of my rock ‘n’ roll novel, True Love Scars.

This one by Fred Mills at Blurt blew me away.

Fred Mills writes:

Veteran rock journalist Michael Goldberg, of Addicted To Noise and Sonic Net fame, is clearly working through some personal demons in his debut novel, a kind of poetic-license memoir rendered in a vivid 1st person voice containing echoes of Holden Caulfield, Sal Paradise and Danny Sugerman (who of course was not a fictional person, being a member of the Doors inner circle, but certainly wrote with a definite ego swagger in his own memoir). And in a very real sense, True Love Scars contains echoes of my own voice, because in reading the book I felt some of my demons from that time being stirred up, including initial musical alliances with key albums/concerts, mixed feelings toward my relationship with my parents and friends and memories of my first few crushes (not to mention losing my virginity).

Indeed, Michael Stein’s recollections chart an emotional arc as striking as I’ve seen a novel’s lead character experience, from naïve and tender to streetwise and hip to cynical and wounded, with Dylan lyrics seeming, to him, laden with meaning and Rolling Stones tunes, likewise, churning with prophecy. When he meets, for example, the girl he calls Sweet Sarah and they embark upon a doomed courtship, Dylan’s there as their guide and their muse. Later, though, following a breakup and a dark descent into teenage debauchery, Stein’s haunted by mental echoes of the ominous slide guitar riff powering the Stones’ “Sister Morphine.” Similar musical reference points from the time abound, as befits novelist Goldberg, who cut his teeth as a rock writer and came of age in that same era; it’s tempting to play the is-it-or-ain’t-it-autobiographical game with the book, since Goldberg has a temporal, geographical and personal backstory that mirrors, to a degree, Stein’s. (Stein’s nickname in the book is “Writerman,” which should tell you something.)

Later in the review Mills writes:

Goldberg advises us that True Love Scars is the initial installment of his “Freak Scene Dream Trilogy,” full of sex, drugs and rock ‘n’ roll plus the inevitable heartbreak and roadkill that comes with the whole package. “How the dream died and what there is left after,” he concludes. It’s worth noting that despite the timeframe outlined above, Stein/Writerman is actually narrating in retrospect from some as-yet-unspecified point in the near-present. So we know that despite the gradual sense of dread building up over the course of the book and present at its abrupt ending, he will manage to survive in some form and fashion despite whatever adventures—good, bad, ugly, tragic—will go down over the course of the next two volumes of the trilogy. I can’t wait to read ‘em.

Read the whole review here.

— A Days Of The Crazy-Wild blot post —

Audio: Ex Hex Hits Hard with ‘Beast’ – Listen Now!

“Beast” is from the debut Ex Hex album, Rips, out October 7, 2014 on Merge Records.

Ex Hex is led by former Helium frontperson (and ex-Wild Flag member) Mary Timony, and includes the Fire Tapes’ Betsy Wright and the Aquarium drummer Laura Harris.

Rips was recorded over two weeks in North Carolina with Mitch Easter (R.E.M.) and in the basement of Timony’s home in Washington D.C., Pitchfork reported.

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: St. Vincent Rocks Prospect Park, Brooklyn – Aug. 9, 2014 – ‘Digital Witness,’ ‘Every Tear Disappears,’ ‘Birth In Reverse’ & More

Photo via St. Vincent’s Facebook page; photo by Kevin Mazur.

St. Vincent performed in Prospect Park, Brooklyn Saturday night.

The concert was broadcast on WFUV.

Check out the entire set.

Setlist:

“Rattlesnake”
“Digital Witness”
“Cruel”
“Marrow”
“Every Tear Disappears”
“I Prefer Your Love”
“Actor Out Of Work”
“Surgeon”
“Cheerleader”
“Prince Johnny”
“Birth In Reverse”
“Regret”
“Huey Newton”
“Bring Me Your Loves”
“Strange Mercy”
“Year Of The Tiger”
“Your Lips Are Red”

Thanks Stereogum!

[I just published my rock ‘n’ roll/ coming-of-age novel, “True Love Scars,” which features a narrator who is obsessed with Bob Dylan. To read the first chapter, head here.

Or watch an arty video with audio of me reading from the novel here.

Of just buy the damn thing:

–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-