Tag Archives: audio

Audio/Video: Michael Goldberg Reads From ‘True Love Scars’ at LitQuake 2014

Yeah that’s me, reading at LitQuake 2014. Photo from video shot by Jackie Bryan.

What a night!

It was billed as the “Rock ‘n’ Soul Circus: A Cavalcade of Stars,” and it featured a great group of music journalists, rock critics and musicians who each read from recent books or from books that haven’t been published yet.

It was held at The Make-Out Room, an atmospheric rock club in San Francisco’s Mission District, and that club was the perfect venue.

I’d never read in a club before, and it was a thrill.

A video excerpt of me reading — the first word, “She,” is cut off (video shot by Jackie Bryan). I had to sub in audio for the last part of this clip and so the audio and video stops syncing. But you’ll get the idea. Or just list to the entire audio clip below.

Reading at a book store is great, don’t get me wrong, but a cool club is really set up to highlight the performers.

When you’re standing on that stage, the stage lights making it impossible to see the audience, a microphone in front of you, it’s hard not to feel like a rock star.

Crazy I know, but it did feel a bit like that.

A stage, stage lighting, a PA system, a near capacity crowd of over 100 people fueled by alcohol — perfect for rock ‘n’ roll stories about the guy who discovered Van Morrison, the importance of Liz Phair’s Exile In Guyville, the trials of making Dino Valenti’s 1968 self-titled solo album, Motley Crue’s crazy antics and more.

I read from my new novel, “True Love Scars,” and you can listen to the audio below.

I love how author Denise Sullivan, who organized the event, introduced me:

He interviewed everybody, everybody you’d want to read an interview with, he interviewed them. OK, so that’s part of his story. Another part of his story. Does anyone remember the dawn of the Internet? We didn’t have Internet and then we had the Internet? Remember that? He basically invented music journalism on the Web. OK, so that’s another distinction of our next author, whose latest book is ‘True Love Scars.’ But the reason that he lives large in my imagination, and this is true, he is the guy – he doesn’t know I’m going to say this — he snuck recording equipment past security so he could do the jailhouse interview iwht Rick James. Can I get a hand for him for that. Michael Goldberg!

Audio of my reading:

The other writers: University of San Francisco professor/ former rock critic Gina Arnold (author of the book “Exile In Guyville”), former San Francisco Chronicle pop music critic Joel Selvin (“Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues”), Kerouac/Grateful Dead biographer Dennis McNally (“A Long Strange Trip: The Inside History of the Grateful Dead”), musician Bruce Cockburn (“Rumours of Glory”), rock journalist and author Denise Sullivan (“Shaman’s Blues: The Art and Influences Behind Jim Morrison and the Doors”), rock historian and college teacher Richie Unterberger (“Jingle Jangle Morning: Folk-Rock in the 1960s”) and best-selling authors Keith and Kent Zimmerman (“Shining Star: Braving the Elements of Earth, Wind & Fire”).

Camper Van Beethoven cofounder Victor Krummenacher performed a short but tremendous two-song set. After hearing his transformation of Woody Guthrie’s “I Ain’t Got No Home,” I immediately bought his CD with that song on it.

Some of the rock critics and music writers and musicians who read at the LitQuake event.

Thanks to Jackie Bryan for the video!!!

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: Hear Previously Unreleased Sleater-Kinney Track, ‘Bury Our Friends,’ Right Now

Could this flyer mean that a new Sleater-Kinney album is on the way?

Previously unheard Sleater-Kinney song, “Bury Our Friends,” included with new box set, Start Together.

“Bury Our Friends”:

It’s rumored that there will be a new Sleater-Kinney album released January 20, 2015 called No Cities To Love, but that’s a RUMOR and nothing more at this point.

Sleater-Kinney is Corin Tucker, Carrie Brownstein and Janet Weiss.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Exclusive: Bob Dylan’s Handwritten Lyrics For ‘New Basement Tapes’ Song ‘Spanish Mary’ – Check Them Out!

Bob Dylan’s notebook page where he wrote the lyrics to “Spanish Mary.”

During the summer of 1967, up in Woodstock, New York, Bob Dylan wrote a batch of song lyrics that he didn’t set music to and didn’t record.

Lost On The River: The New Basement Tapes is an album of those songs produced by T Bone Burnett due out November 10, 2014. Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket) and Marcus Mumford are the artists that came together to record the songs.

Today, one of those songs, “Spanish Mary,” was released and I was able to get a copy of Bob Dylan’s notebook page, on which he wrote the lyrics to the song.

For this one, Rhiannon Giddens wrote the music and her performance on the recording is very powerful.

She stays true to the lyrics as Dylan wrote them.

In examining Dylan’s notebook page, there are a couple of lines he crossed out.

In the second verse, the second line, “Upon their ship quite scary” was crossed out and replaced by “no longer could they tarry.”

Dylan crossed out the beginning of the third line, “it was to see them,” leaving only the end of that line, “Swoon and Swerve.”

Off to the side Dylan tried out some alternatives, writing “Some sing like,” and then right under it, “Song sing like a canary.”

In the third verse, “In Kingsport town was changed to “In Kingston Town,” and minor changes in the line that follows were made.

Minor – one or two word – changes were made in the third, fourth and fifth verses.

Check out the video:

In a press release, Giddens, who wrote the music for the song and sings the lead vocal, says of the track:

“Out of all the lyrics I looked through for the New Basement Tapes project, the one for ‘Spanish Mary’ attracted me first – here was a ballad, and I know ballads! It’s also set in the Caribbean, so I felt the deep African sound of the minstrel style banjo (circa 1856) was appropriate. It was an absolute thrill to get to set music to Dylan’s lyrics, what an opportunity! This project is marked with utter generosity from everyone involved.”

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: Hear Bob Dylan’s ‘New Basement Tapes’ Song, ‘Spanish Mary,’ Sung By Rhiannon Giddens

Here is “Spanish Mary,” the latest song off Lost On The River: The New Basement Tapes to be made available prior to the album release on November 10, 2014.

In a press release, Giddens, who wrote the music for the song and sings the lead vocal, says of the track:

“Out of all the lyrics I looked through for the New Basement Tapes project, the one for ‘Spanish Mary’ attracted me first – here was a ballad, and I know ballads! It’s also set in the Caribbean, so I felt the deep African sound of the minstrel style banjo (circa 1856) was appropriate. It was an absolute thrill to get to set music to Dylan’s lyrics, what an opportunity! This project is marked with utter generosity from everyone involved.”

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: Joan Baez Sings Her Song About Bob Dylan, ‘Diamonds And Rust’ – Paris, 2014

Joan Baez sings “Diamonds and Rust” at L’Olympia, Paris, France, on Sept. 30 and Oct. 1, 2014.

Sept. 30, 2014:

Oct. 1, 2014:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: Bob Dylan, Tom Petty & The Heartbreakers – Australia 1986 – Full Show – ‘Positively 4th Street, ‘I’m Alright, Ma’ & Many More

Bob Dylan backed by Tom Petty and the Heartbreakers, True Confessions Tour, Sydney, Australia, Feb. 24, 1986. 

Set List:

01 Justine (Don Harris/Dewy Terry)
02 Positively 4th Street
03 Clean Cut Kid
04 I’ll Remember You
05 Trust Yourself
06 That Lucky Old Sun (Gillespie/ Smith)
07 Masters of War
08 Bye Bye Johnny [Petty]
09 Straight Into Darkness [Petty]
10 A Hard Rain’s A-Gonna Fall (acoustic – Dylan solo)
11 Girl Of the North Country (acoustic – Dylan solo)
12 It’s Alright, Ma (I’m Only Bleeding) (acoustic – Dylan solo)
13 I Forgot More Than You’ll Ever Know (Null)
14 Just Like a Woman
15 I’m Moving On (Hank Snow)
16 Lenny Bruce
17 When the Night Comes Falling From the Sky
18 Lonesome Town
19 Ballad of a Thin Man
20 So You Wanna Be a Rock-n-Roll Star [Petty]
21 Refugee [Petty]
22 Rainy Day Women #12 & 35
23 Seeing the Real You at Last
24 Across the Borderline (Cooder/Hiatt)
25 I and I
26 Like a Rolling Stone
27 In the Garden
28 Blowin’ in the Wind
29 Uranium Rock (Warren Smith)
30 Knockin’ On Heaven’s Door

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Video: Bob Dylan, Rolling Thunder Review, 1975-76 – ‘Just Like A Woman,’ ‘Blowin’ In The Wind,’ ‘One Too Many Mornings’ & Many More

I believe these first three clips are from the Rolling Thunder Review show at Colorado State University, Fort Collins, Colorado, May 23, 1976.

This is a moving and beautiful version of “Just Like A Woman” with Scarlet Rivera on violin.

“Just Like A Woman”:

“Isis”:

“Blowin’ In The Wind”:

“I Don’t Believe You,” War Memorial Auditorium, Plymouth, MA, USA, October 31, 1975:

Here are a bunch of songs recorded during the tour including “Maggie’s Farm,” “One Too Many Mornings,” “You’re A Big Girl Now” and plenty more.

And here’s 50+ minutes from the April 22, 1976 show at the Starlight Ballroom in Clearwater Florida:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: Neil Young Shares Awesome Orchestral ‘Who’s Gonna Stand Up?’ On Climate Change Protest Day

Today, a day when over 300,000 people reportedly assembled in New York for the People’s Climate Day March to voice their concerns that serious work needs to be done to stop climate change, Neil Young released an orchestral, studio recording of his protest song, “Who’s Gonna Stand Up?”

The musically stunning anthem attacks big oil and the “big machine.”

But what Neil Young doesn’t address in his song is that animal agriculture — factory farms and the whole system of meat production — is the biggest contributor to climate change. This is the elephant in the room.

As the new documentary “Cowspiracy” shows, environmental groups, for the most part, ignore this ‘inconvenient truth.’ If you haven’t seen the film, google it and find a showing near you. Or wait until early November and you can get the DVD. It’s a must-see film.

Today I spent three hours at the Lake Merritt Amphitheater with the Factory Farming Awareness Coalition at the huge Bay Area People’s Climate Day event and we passed out 100s of brochures detailing the impact of Factory Farms (and eating meat, or products made form animal secretions such as milk) to mostly unaware environmentalists.

Two activists at the Oakland People’s Climate Day event.

I would love for Neil Young to see “Cowspiracy,” or for someone, anyone, to get some information to him. It’s great what he’s doing but there’s this big hole, it would seem, in his knowledge of what is contributing to climate change.

Plus acoustic version:

— A Days Of The Crazy-Wild blog post —

Audio: Jerry Garcia Plays Bob Dylan’s ‘It Takes A Lot To laugh, It Takes A Train To Cry’

John Kahn and Jerry Garcia.

Jerry Garcia plays a great acoustic version of Bob Dylan’s “It Takes A Lot to Laugh, Takes a Train to Cry” at Oregon State Penitentiary, Salem, OR, May 5, 1982.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —

Audio: The Rolling Stones Cover ‘Watching The River Flow’ & Keith Richards Does ‘Girl From The North Country’

The Rolling Stones haven’t covered many songs by Bob Dylan, but they came together in 2011 to record a tribute to their departed (from this earth) piano player, Ian Stewart. Their cover of “Watching The River Flow” is a good one. It appears on the Ben Waters album Boogie 4 Stu: A Tribute To Ian Stewart.

And I like both Keith Richards’ take on “Girl From The North Country,and his version of the Luke Jordan song Bob Dylan also covered, “Cocaine Blues.”

Keith Richards, “Girl From The North Country”:

Keith Richards, “Cocaine Blues”:

The Rolling Stones and friends, “Watching the River Flow”:

On this last track:

KEITH RICHARDS — GUITAR
MICK JAGGER — VOCALS, HARMONICA
CHARLIE WATTS — DRUMS
RONNIE WOOD — GUITAR
BILL WYMAN — BASS
BEN WATERS – PIANO
TOM WATERS — ALTO SAX
WILLY GARNET — SAX
DON WELLOR — SAX
ALEX GARNET — BARITONE SAX
DAVE SWIFT — TAMBOURINE

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]

— A Days Of The Crazy-Wild blog post —