1. Chloé Griffin – EDGEWISE : A Picture Of COOKIE MUELLER (b_books)
This book is an astounding labor of love. The author, fascinated by who Cookie Mueller may have been after witnessing her in all the weirdo John Waters films, including Pink Flamingos and Female Trouble, decided to travel the USA interviewing anyone still left alive who spent time with this person. All the insane characters of early 70s Baltimore, P-Town and NYC raise their sloshing glasses to this incredible lightning girl Cookie and all their stories are told in a way which creates a historical travelogue of counter culture avant insanity which is responsible for helping to light the fuse that becomes punk rock and beyond.
2. John Lydon at Rough Trade East 17th October 2014
The Rotten one was bopping around the UK promoting his new book Anger Is An Energy (Simon & Schuster) and we caught his last stop at RT and it was as good as any Sex Pistols or PiL show. He came out with his manager / right hand man and Arsenal accomplice Rambo and a shopping basket full of lager and proceeded to have a high energy back and forth with the audience. His mates from nearby Finsbury Park were there shouting back and forth and Lydon actually did a weird physical transformation into Tony Blair (he hates ‘im). Savage, infuriating – everything his book is – but with a kindness that is always burbling through. I got to meet him fleetingly, the one person I wanted to meet most in this nutso rock n roll world, and he was nice enuff (“Sonic Youth, what are you bloody doing here?”) – but I think he more interested in drowning beers with his pals, which is what he should be doing but damn I think making a record with him in trio with Irmin Schmidt with Can is what Matador should be investing in big time for 2015.
Here’s a list from Ex Hex via Punk News:
In no particular order
* Pentagram show in Minneapolis at Mill City Nights
* King Tuff Black Moon Spell LP
* The Clean Anthology LP Reissue/ Merge
* Kid Congo and the Pink Monkey Birds show in Cincinnati at Mid Point Music Fest
Here’s Kid Congo and the Pink Monkey Birds on KXEP:
* Brooks Headley’s veggie burgers
* Slant 6 Soda Pop Rip off LP reissue/ Dischord
* Ed Schraders Music Beat Party Jail LP
* Man Made LP reissue Teenage Fan club/ Merge
* Black Bananas Electric Brick Wall LP
* Hammered Satin/The Tip/Dirt City show at Smash in DC
[This year I published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
Great story by Paul Elie in the December 22, 2014 New Yorker on guitarist Jim Campilongo, who is known for playing a 1959 Telecaster.
Over the years some of Campilongo’s fans includes Lou Reed, Emmylou Harris, Norah Jones and Bonnie Raitt.
The story begins:
A 1959 Fender Telecaster, blond finish, white pickguard, maple fretboard, will set you back about thirty thousand dollars.
Jim Campilongo is known for playing a 1959 Telecaster, blond, white guard, maple board, and a few years ago Fender’s custom shop produced a Jim Campilongo Signature Model, based on the one he plays. It was priced at $4,499—not thirty thousand dollars, but four times the price of a regular Telecaster. The Custom Shop has fashioned signature models based on guitars made iconic by Jeff Beck; David Gilmour, of Pink Floyd; and Andy Summers, of the Police. The Campilongo signature model put him up there with them—anointed him a sultan of twang.
At the Living Room, in Williamsburg, the other Tuesday, Campilongo played the ’59 Tele, not the signature model. I could see the guitar clearly—the body nicked and cut like a hockey rink, the fretboard worn to the color of chewed gum—because I was in the front of the audience.
Fantastic hour-plus set. Jim Campilongo & Honeyfingers at 55 Bar, NYC – September 8 2013:
Jim playing with Norah Jones in the Little Willies:
—
[This year I published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
The major musical event of 2014 was the release of Bob Dylan and The Band’s ‘Basement Tapes’ recordings – 140 of them (if you include the two songs included in the hidden track at the end of disc six). But beyond the six-plus hours of mostly better quality versions of these songs than we’ve heard before (along with a batch of songs that haven’t made the bootlegs – at least the ones I got my hands on), a lot of other noteworthy albums were released during the year.
The list that follows is based on what I heard and what I liked. No one can listen to everything, and I don’t pretend to try. But these albums are good ones, and if you haven’t heard some of them, I hope you’ll check them out.
1 Bob Dylan, The Basement Tapes Complete: The Bootleg Series Vol. 11 (Columbia): As I wrote when the set was released: Dylan’s best songs are not the straightforward protest songs from the early ‘60s – “Masters Of War” or “The Times They Are A-Changing.” Rather, it’s songs like “Visions Of Johanna,” songs that are opaque. Songs that defy literal understanding. Those are the great ones. I’ve listened to “Visions Of Johanna” 100s of times and still its mysteries remain intact. And a song such as “I’m Not There” – do you know what it’s about? … The lyrics to many of Dylan’s Basement songs are opaque too; as if they’re written in an invisible ink, or in a language that defies translation. And it’s that mystery that keeps bringing me back. One line stands out, gives up something one day, then pulls it back on another.
“Ain’t No More Cane (Take 2)”:
2 Jolie Holland, Wine Dark Sea (Anti): Jolie Holland moved into a whole other zone with the avant-garde guitar sounds that help define “Wine Dark Sea.” She takes her idiosyncratic version of Americana, integrates some wild noise (think Sonic Youth) rock guitar and the result is thrilling. Holland is an incredible singer and songwriter. Perhaps my favorite here is “The Love You Save,” which finds Holland trumping the late Janis Joplin with her take on the Stax/Volt soul of the mid-‘60s.
Jolie Holland – Full Performance (Live on KEXP):
Songs:
First Sign Of Spring
On and On
Out On The Wine Dark Sea
Who Are you
3 Angel Olson, Burn Your Fire For No Witness (Jagjaguwar): At times on Angel Olson’s moving second album, as on “White Fire,” she sounds like a female Leonard Cohen. At other times it’s the Velvets I hear a faint echo of, but on the final track, “Windows,” what I hear is Angel Olson, what I hear is an exquisitely beautiful sound, even as she sings about a man who is oblivious to those around him. Her voice has a fragile quality, but there’s strength too.
“Windows”:
4 Wadada Leo Smith, The Great Lake Suites (Tum): A musician friend of mine compares this album favorably to Coltrane’s A Love Supreme, and I agree. Over two discs composer/band leader Wadada Leo Smith (trumpet), Henry Threadgill (alto saxophone, flute and bass flute), Jack DeJohnette (drums) and John Lindberg (double bass) deliver music as intense and spiritual as Coltrane and his combo. And an hour and a half after you start listening, when the music’s over, you’ll want to start it up all over again. This is one for the ages.
5 Karen O, Crush Songs (Kobalt): This low-fi bedroom recording of Yeah Yeah Yeah front woman O’s “crush” songs is intimate and addictive. There’s a hint of the Velvets’ third album here, and that’s a good thing. Proof that anyone with the songs and the voice can make their own “Basement Tapes.”
“Body”:
6 Spoon, They Want My Soul (Loma Vista/Republic): The album title nails what’s going on these days, when corporate America won’t settle for anything less than turning us into unthinking all-consuming zombies. I’ve been a Spoon fan since the mid-‘90s and this album of smart poppy rock is up there with their best. “Rainy Taxi” is intoxicating, and “knock Knock Knock” as well, but the whole album is a keeper. These Austin rockers are fighting the good fight, and winning.
7 Sharon Van Etten, Are We There (Jagjaguwar): The trials of a woman trying to deal with a (sometimes not-so-good) relationship is the theme running through Are We There. Whether these songs are about Van Etten’s real life, when one listens to this album they might as well be – these songs feel so confessional. With haunting voice and music that perfectly suits her theme, Sharon Van Etten has turned pain into songs that are deep, self-reflective and at times confrontational. Check these lyrics from “Your Love Is Killing Me”:
“Break my legs so I won’t walk to you.
Cut my tongue so I can’t talk to you.
Burn my skin so I can’t feel you.
Stab my eyes so I can’t see
You like it when I let you walk over me.
You tell me that you like it.
Your love is killing me.”
Wow!
“Your Love Is Killing Me”:
8 Tweedy, Sukierae (ANTI):Tweedy and his son Spencer recorded this 20 song album with help from a few musician friends. It’s beautiful and moving and wonderful. Tweedy says it’s a two record set and suggests the vinyl version is the best way to listen. Very Beatlesque at times – check out “Summer Noon.”
“Summer Noon”:
9 Ex-Hex, Rips (Merge): Mary Timony’s new band delivers a garage-rock explosion of a debut album. There are echoes of The Ramones and Patti Smith and Timony’s friends, Sleater-Kinney in the 12 songs. Great guitar riffs from Timony. There’s a priceless energy in these tracks. This trio is on fire.
10 tUnE-yArDs, Nikki Nack (4AD): Merrill Garbus has voice, a big soulful voice and she can really sing. And when you can really sing, and you have the knock for writing catchy songs with loads of hooks, you can go wild with the music and make it work. Sometimes it sounds like Garbus has utilized every object in the junkyard to make her unorthodox tracks, and at other times only her voice.
Also great:
11 Lykke Li, I Never Learn (Atlantic):
12 Lucinda Williams, Down Where The Spirit Meets The Bone (Highway 20)
13 The Hold Steady, Teeth Dreams (Razor & Tie)
14 The Velvet Underground, The Velvet Underground – 45th Anniversary Super Deluxe Edition (Ume):
15 The War On Drugs, Lost In The Dream (Secretly Canadian)
The Velvet Underground, “I’m Waiting For The Man”:
Books:
(In no particular order – these are all great!)
The History of Rock ‘n’ Roll In Ten Songs, Greil Marcus (Yale University Press): Greil Marcus’ latest book is all about what Marcus hears when he listens to ten songs, and what he hears is unexpected and sometimes revelatory. It’s not any kind of history of rock that you or I have ever read before, because Marcus sees no point in revisiting the same old story that we’ve read numerous versions of since the ‘60s. Not a history so much as a theory about rock ‘n’ roll, and then ten examples that, in different ways, back up that theory. Amazing.
I loved You More, Tom Spanbauer (Hawthorne): Tom’s Spanbauer’s book is 466 pages of heartbreak. Think about the love affair that went so wrong for you, the one that tore you down, left you devastated and in pieces. Yeah, that’s this book. Beautifully written. Every sentence is a gem.
A Man Called Destruction: The Life and Music of Alex Chilton, Holly George-Warren (Viking): A superbly written biography of Alex Chilton, who is best known as one of the leaders of Big Star. If you start to read it, you soon will find yourself deep into both the Big Star recordings and Chilton’s solo work before you know it.
Those Who Leave And Those Who Stay, Elena Ferrante, (Europa Editions): The third in what looks to be a four book series that follows two girls in Italy from childhood to old age. With this book, Ferrante adds politics to the volatile mix of love, sex, family, money and friendship that fuels the first two.
Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues, Joel Selvin (Counterpoint): More than just a biography of Bert Burns, who wrote such classics as “Here Comes the Night,” “Piece of My Heart,” and “Twist and Shout,” discovered Van Morrison, produced records including “Under The Boardwalk” for The Drifters and so much more, Selvin also manages to detail the history of the New York-based rhythm and blues business.
My Struggle (books 1, 2 & 3), Karl Ove Knausgaard (Macmillan): This year I read the first three books of this six volume epic semi-fictional autobiography. Knausgaard goes deep into his first person narrator’s psychology, as he lays out his life for us in minute detail. Somehow it’s fascinating, even when it seems like he’s telling us way more than we need to know. Mesmerizing.
On Highway 61, Dennis McNally (Counterpoint): Actually, I’m only a third of the way through this incredible book, but it’s so good I have to include it. McNally has written the history of how blacks and whites influenced each other musically, as they created what he calls cultural freedom. Along the way he tells the stories of Mark Twain, Bessie Smith, Robert Johnson, Lead Belly, John Hammond, Sr., Thelonious Monk and many, many others. More on this book in 2015.
I like this cover of Bob Dylan’s “Paths of Victory” from a Cat Power performance at Western Washington University, Bellingham, WA in 1999.
Dylan recorded the song in November 1962 at the Broadside offices in New York and it appeared on The Whitmark Demos: 1962 – 1964 Bootleg Series album.
He also recorded it on August 12, 1963 for The Times They Are A-Changin’, but of course didn’t include it on that album. That version made it onto the very first Bootleg Series set.
Here’s the version of “Paths Of Victory” Dylan cut for The Times They Are A-Changin’:
Thurston Moore and his new band, which features bassist Debbie Gooch of My Bloody Valentine, guitarist James Seward, and Steve Shelley, who of course was in Sonic Youth with Moore, perform a 32 minute, four-song set for Seattle’s KEXP.
The group sounds exceptional here and makes me want to revisit the new album, The Best Day.
Thurston Moore Band
10/5/2014
1 Germs Burn
2 Detonation
3 Speak to the Wild
4 The Best Day
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
R.E.M. frontman Michael Stipe on “CBS This Morning.”
Among other things he says it’s unlikely that R.E.M. will ever reunite. “That will never happen,” he says.
I bet they do.
And he talks about how shy he was when the band first got famous and it sounds like he’ll do a solo album at some point.
“I think I’ll sing again,” he says. “Not soon.”
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
In November Fredrik Wikingsson got a private Bob Dylan mini-concert at Philadelphia’s Academy of Music.
Lucky Wikingsson had been picked for an episode of a Swedish film series called “Experiment Ensam” where, according to Rolling Stone, “a lone person takes part in events that are usually reserved for large crowds.”
Dylan and his band perform a cover of Buddy Holly’s “Heartbeat,” a beautiful downbeat version of Fats Domino’s “Blueberry Hill” and Chuck Wills’ “It’s Too Late (She’s Gone).” The mini-concert ends with the blues standard, “Key to the Highway.”
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
Last night, December 10, 2014, playing a gig at Toronto’s Horseshoe Tavern, The Hold Steady covered Neil Young’s classic “Don’t Let It Bring You Down.”
The clip also includes the group’s own “Constructive Summer.”
Plus a clip of “Knuckles”:
And two songs – “Spinners” and a cover of Kiss’ “Hard Luck Woman” – from Collective Arts Black Box Sessions:
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
This is excellent. Greil Marcus, Sid Griffin and others tell the story of Bob Dylan’s “Basement Tapes.”
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
