Here’s the remastered version of George Harrison’s version of Bob Dylan’s ‘If Not For You’
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
Check out Neil Young singing ‘Who’s Gonna Stand Up?’ with full orchestra.
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
For Neil Young’s upcoming album, Storytone, there will be two versions of the ten-song set: the two album deluxe package will include one album in which Young performs the songs himself, and another in which he is accompanied by an orchestra.
The orchestral version was cut live with no overdubs. Young sang in the same room as the musicians. The album will be released on November 4, 2014.
“It’s the most different thing that I’ve ever attempted,” Young told Rolling Stone.
Back in early September I reported that the album would be called Storytone.
According to a Warner Bros. press release: Standout tracks from the album include the bittersweet album opener “Plastic Flowers,” the bluesy swing of “I Want To Drive My Car,” the aching “Tumbleweed,” or the heartfelt “When I Watch You Sleeping.” Each song evokes an entirely different feel within the context of its presentation.
More from the Rolling Stone story:
The orchestral Storytone is the first Young album where he plays no guitar or piano – he let other musicians take on instrumental duties so he could focus on his vocals. Two music-industry vets, Michael Bearden and Chris Walden, conducted, arranged and co-produced the album. He took himself out of his comfort zone,” says Bearden, who worked with Michael Jackson and is currently Lady Gaga’s musical director. Young gave the arrangers considerable freedom: “He basically told us to do what we felt,” says Bearden. Young had originally planned to take the concept even further, recording the orchestral versions with a single microphone, but he relented on that point.
More from the press release: All of the Storytone music was produced by The Volume Dealers (Neil Young and Niko Bolas), recorded and mixed by Al Schmitt with additional co-production, arrangements, orchestration, and conducted by Michael Bearden and Chris Walden.
The songs:
1. Plastic Flowers
2. Who’s Gonna Stand Up?
3. I Want To Drive My Car
4. Glimmer
5. Say Hello To Chicago
6. Tumbleweed
7. Like You Used To Do
8. I’m Glad I Found You
9. When I Watch You Sleeping
10. All Those Dreams
Three versions of “Who’s Gonna Stand UP?”
Orchestral:
Acoustic:
Live with Crazy Horse:
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]
A rare March 1967 photo of Rick Danko and Bob Dylan taken prior to the ‘Basement Tapes’ sessions. It’s unknown where the photo was taken, but it’s not from the actual sessions. Photo courtesy Arie de Reus.
Today we’ve got another track off the much-anticipated The Basement Tapes Complete: The Bootleg Series Vol. 11, set for a November 4, 2014 release.
As you can hear if you listen to this one and the previously released “Odds & Ends,” the sound quality is much better than on the bootlegs we’ve lived with for so many years.
I’ve been listening as well to a streaming sampler of tracks off the 6-CD set and they really sound excellent.
When you consider that Dylan and The Band made more than 138 recordings of originals and covers during the summer of 1967, it’s mindblowing. I haven’t heard everything yet, but between the sampler and the bootleg recordings, I believe the official set will stand as one of the peaks of Bob Dylan’s recording career.
For now, enjoy “Lo and Behold!,” and while you’re at it, give “Odds & Ends” another listen.
“Lo and Behold!”:
“Odds & Ends”:
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
On October 28, 2014 the first complete book of Bob Dylan’s lyrics will be published in a limited edition of 3500 copies. Priced at $200 for the 960 page, 13.3 pound book, Amazon is currently taking advance orders for the book at a discounted price of $126.74.
The New York Times can a story today, which said, in part:
The songs are presented chronologically, including alternative versions released as part of Mr. Dylan’s archival “Bootleg Series.” The album covers, front and back, are reproduced.
The way the songs are laid out is meant “to help the eye see what the ear hears,” Mr. Ricks said. “If you print the songs flush left,” he added, “it doesn’t represent, visually, the audible experience.” So refrains, choruses and bridges are indented. And where Mr. Dylan intended a line, however long, to be unbroken, it sprawls across the 13-inch-wide page.
How did the editors know which lines were meant to be unbroken? Did Mr. Dylan provide feedback or comments? Mr. Karp said he had heard that Mr. Dylan provided notebooks and manuscripts. Mr. Ricks refused to elaborate.
“I think the right thing for us,” he said, “is not to go into the question of the particular kinds of help and assistance and advice that we were in a position to receive.”
From Amazon.com:
“The Lyrics: Since 1962” (Hardcover – October 28, 2014)
by Bob Dylan (Author), Christopher Ricks (Editor), Lisa Nemrow (Editor), Julie Nemrow (Editor)
Hardcover: 960 pages
Publisher: Simon & Schuster (October 28, 2014)
Language: English
ISBN-10: 1476797706
ISBN-13: 978-1476797700
Product Dimensions: 13.1 x 12.4 x 2.8 inches
Shipping Weight: 13.3 pounds
A major publishing event—a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums, edited and with an introduction by Christopher Ricks.
As it was well put by Al Kooper (the man behind the organ on “Like a Rolling Stone”), “Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.” Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper’s assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics.
In the words of Ricks: “For fifty years, all the world has delighted in Bob Dylan’s books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.”
This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published.
The Lyrics, edited with diligence by Christopher Ricks, Lisa Nemrow, and Julie Nemrow. As set down, as sung, and as sung again.
While you wait, here’s Dylan, Ry Cooder and Van Dyke Parks performing Woody Guthrie’s “Do Re Mi” at the Malibu Performing Arts Center in January 2009:
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
These photos of Woody Guthrie are part of a new three CD set, My Name Is New York; Ramblin’ Around Woody Guthrie’s Town.
Both Bob Dylan and Bruce Springsteen are just two of the many, many musicians influenced by Woody Guthrie.
The press materials for the set describe it like this:
‘My Name Is New York; Ramblin’ Around Woody Guthrie’s Town’ is a three-disc collection that offers an intimate portrait of Woody’s NYC life through storytelling and music. Produced by Steve Rosenthal, Michael Kleff and Woody’s daughter Nora Guthrie, ‘My Name is New York’ presents two discs of an audio tour and stories that contextualize Woody’s New York with new interviews, song snippets and a history narrated by Nora, plus a third disc of music, including some never before heard demos and previously unpublished songs from the Archives. THere is also a book which can be purchased with the CDs or separately.
These photos of Woody are obviously very cool. Below them is a new video made by the New York Times about Woody’s years in New York. It includes Woody singing songs he wrote while in New York.
Photo by Alfred Puhn.
Woody Guthrie, “New York Town”:
Photo by Eric Schaal.
Woody Guthrie, “Tom Joad”:
Photo by Eric Schaal.
Billy Bragg and Wilco, “Go Down To The Water”:
Photo courtesy of the Seeger family.
“Vigilante Man”:
Photo courtesy of Norah Guthrie.
Ry Cooder, “Vigilante Man”:
Photo by Eric Schaal.
“My Name Is New York” promo:
Photo by Marjorie Guthrie.
Woody Guthrie, “Jesus Christ”:
Bob Dylan and The Band, “I Ain’t Got No Home,” Carnegie Hall, 1968:
Bob Dylan and The Band, “Grand Coulee Dam,” Carnegie Hall, 1968:
New York Times video about Woody Guthrie in New York:
Here’s info on the CD set and book from the Woody Guthrie website:
The CD set:
3-CD guide to 19 locations in New York City where Woody Guthrie lived and wrote.
It’s the story of Woody’s 27 years living here in the city, and we visit 19 historic locations – in this 3-CD set – where Woody lived and worked. Now, for the first time, you’ll actually be able to hear these stories told by those who knew him best, in many different ways and through various encounters and circumstances; music partners Pete Seeger, Ramblin’ Jack Elliott, Sonny Terry, and Bess Lomax Hawes, Woody’s first wife Mary Guthrie, Woody’s merchant marine buddy Jimmy Longhi, Bob Dylan, Woody’s second wife Marjorie Guthrie, Arlo Guthrie, Nora Guthrie and many others share their memories with you first-hand.
3-CD Track Listing:
Disc 1: February 16, 1940 — November 1942
1. 59th Street at 5th Avenue, Manhattan
2. 101 West 43rd Street, Manhattan
3. 57 East 4th Street, Manhattan
4. 31 East 21st Street, Manhattan
5. 5 West 101st Street, Manhattan
6. 70 East 12th Street, Manhattan
7. 130 West 10th Street, Manhattan
8. 430 6th Avenue, Manhattan
9. 148 West 14th Street, Manhattan
10. 647 Hudson Street, Manhattan
Disc 2: December, 1942 — October 3, 1967
1. 74 Charles Street, Manhattan
2. 3815 Atlantic Avenue, Brooklyn
3. 3520 Mermaid Avenue, Brooklyn
4. 49 Murdock Court, Brooklyn
5. 517 East 5th Street, Manhattan
6. Brooklyn State Hospital, 681 Clarkson Avenue, Brooklyn
7. 159-13 85th Street, Queens
8. Creedmore State Hospital, Queens
9. Final Resting Place: Atlantic Ocean, Brooklyn
Music Bonus CD Tracklist
1. “New York Town” (Woody Guthrie/Cisco Houston/Sonny Terry)
2. “New York Trains” (Del McCoury)
3. “Union Maid” (Almanac Singers)
4. “My New York City” (Mike + Ruthy)
5. “Tom Joad” (Woody Guthrie)
6. “Man’s A Fool” (Woody Guthrie/Sonny Terry) home tape
7. “Vigilante Man” (Woody Guthrie)
8. “Union Air in Union Square” (Lowry Hamner)
9. “Round and Round Hitler’s Grave” (Almanac Singers)
10. “Jesus Christ” (Woody Guthrie)
11. “Beatitudes” (Reverend Billy & the Stop Shopping Choir)
12. “This Land Is Your Land” (Woody Guthrie)
13. “Go Coney Island, Roll On The Sand” (Demolition String Band with Stephan Said)
14. “Howdi Do” (Ramblin’ Jack Elliott)
15. “My Name Is New York” (Woody Guthrie) home demo tape
16. “Go Down to the Water” (Billy Bragg & Wilco)
Total time: 167:34
The book:
A pocket-sized guide to 19 locations in New York City where Woody Guthrie lived and wrote.
Includes:
– Historic text and photographs from each location
– Chronological listing of songs written in NYC
– Original song lyrics and never before published documents from the Woody Guthrie Archives
– Excerpts from Woody Guthrie’s NYC address book
Dust bowl troubadour Woody Guthrie first arrived in New York City on February 16, 1940. Although he continued to ramble, for 27 years— from 1940 until his death in 1967—New York was the city he called home and always returned to.
For the first time, this wonderful New York story comes to life with historical photos, documents, and previously unpublished lyrics from the Woody Guthrie Archives. Highlighting 19 significant locations, this little guide provides an expansive yet intimate portrait of Woody Guthrie’s NYC life. We invite you to walk the streets, ride the buses and subways, or sit down and relax on some of the stoops, park benches, or beaches where Woody Guthrie did—always strumming away on his guitar, always working on a new song.
Many of Woody’s most popular songs were written in apartments, lofts, and other locations around “New York Town.” That song, along with “Jesus Christ,” “Vigilante Man,” “Hard Travelin’,” “Tom Joad,” “Reuben James,” “All You Fascists Bound to Lose,” and “1913 Massacre,” are among the more than 600 he composed in The Big Apple. Most surprisingly, his iconic “This Land Is Your Land,” was written at a small rooming house on 43rd Street and Sixth Avenue, on February 23, 1940 within a few days of his arrival. With new friends Pete Seeger, Lead Belly, Sonny Terry, and Brownie McGhee and the Almanac Singers he was at the center of a new movement—introducing and popularizing rural, roots, topical, and protest music to modern, urban audiences.
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
The War On Drugs have caught the ire of Sun Kil Moon’s Mark Kozelek recently but we don’t have to go there.
Rather, we can listen to the version of “Tangled Up In Blue” they performed at Minnesota’s 89.3.
The group is led by singer/guitarist Adam Granduciel and includes David Hartley (bass, guitar), Robbie Bennett (keyboards, guitar) and Patrick Berkery (drums).
They’re from Philadelphia, Pennsylvania.
You’ll find The War On Drugs’ “Tangles Up In Blue” here.
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
Karen O and her band, guitarists Holly Miranda and Moses Sumney, played at London’s Bush Hall on Saturday, October 3, 2014 covering songs by The Doors and Radiohead.
Karen O covers The Doors’ “Indian Summer”:
Holly Miranda covers Radiohead’s “High and Dry” (excerpt):
Karen O, “NYC Baby”:
Karen O, “Rapt”:
Karen O, “Hideaway”:
Karen O, “Day Go By”:
Karen O, “Body”:
Karen O, “Comes The Night”:
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
In 2012, in order to protect the copyrights on a bunch of Bob Dylan recordings that have not been officially released, Sony released a very limited edition of a multi-disk set called The 50th Anniversary Collection: The Copyright Extension Collection, Volume 1.
Among the gems on the album are many outtakes and alternate takes of songs recorded for The Freewheelin’ Bob Dylan.
I previously posted clips from the set here and here and here.
Today I’ve got still more.
Enjoy while you can.
Bob Dylan – Corrina, Corrina (Freewheelin’ Alternate Take 1962 – Take 3):
Bob Dylan – That’s Alright Mama (Freewheelin’ Outtake 1962 – Take 3):
Bob Dylan – That’s Alright Mama (Freewheelin’ Outtake 1962 – Take 5):
Bob Dylan – Milk Cow’s Calf’s Blues (Freewheelin’ Outtake 1962 – Take 1):
Bob Dylan – Milk Cow’s Calf’s Blues (Freewheelin’ Outtake 1962 – Take 3):
Bob Dylan – Sally Gal (Freewheelin’ Outtake 1962 – Take 2):
Bob Dylan – Sally Gal (Freewheelin’ Outtake 1962 – Take 3):
Bob Dylan – Sally Gal (Freewheelin’ Outtake 1962 – Take 4):
Bob Dylan – Hero Blues (Freewheelin’ Outtake 1962 – Take 1):
Bob Dylan – Hero Blues (Freewheelin’ Outtake 1962 – Take 2):
—
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]
Joan Baez sings “Diamonds and Rust” at L’Olympia, Paris, France, on Sept. 30 and Oct. 1, 2014.
Sept. 30, 2014:
Oct. 1, 2014:
[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in the new issue. Read it here. There’s info about True Love Scars here.]