Category Archives: news

Video: Thurston Moore Band Performs ‘Germs Burn,’ ‘Detonation,’ Speak To The Wild’ & More

Thurston Moore and his new band, which features bassist Debbie Gooch of My Bloody Valentine, guitarist James Seward, and Steve Shelley, who of course was in Sonic Youth with Moore, perform a 32 minute, four-song set for Seattle’s KEXP.

The group sounds exceptional here and makes me want to revisit the new album, The Best Day.

Thurston Moore Band
10/5/2014

1 Germs Burn
2 Detonation
3 Speak to the Wild
4 The Best Day

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Culture Critic Roy Trakin Includes ‘True Love Scars’ in His Best Books of 2014 List

Not that I can keep from letting it go to my head (that’s long been a lost cause), but it is exciting that culture critic Roy Trakin has included my novel, True Love Scars, in his best books of 2014 list. The book is #4 in his list.

Writes Trakin:

Just call it a portrait of the young rock critic as a freakster bro, coming of age in the glorious peace-and-love innocence of the ‘60s dream, only to crash precipitously, post-Altamont into the drug-ridden paranoia of a ‘70s nightmare, characterized by the doom and gloom of the Stones’ sinister “Sister Morphine” and the apocalyptic caw-caw-caw of a pair of ubiquitous crows. The one-time Rolling Stone journalist turned-Internet pioneer with his groundbreaking mid-‘90s Addicted to Noise site has always been on the cutting edge and here he perfectly captures a horny, but romantic, teenager growing up in Marin County back in what he calls the Days of the Crazy-Wild, where getting your parents to let you grow out your hair was proof alone of your manhood. If you lived through those momentous times, or even if you didn’t, Goldberg conveys that rush of ideas, music and literature that made it such a heady era, while still ruefully acknowledge its fleeting, self-destructive aftermath in what amounts to his version of fellow one-time Stone scribe Cameron Crowe’s Almost Famous.

Read Trakin’s whole column here.

And here’s a short audio clip of me reading and Henry Kaiser riffing from my reading last weekend:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: She & Him Cover The Beach Boys’ ‘God Only Knows’

It’s always dangerous taking on a classic recording, which is what the Beach Boys’ God Only Knows,” which appeared on Pet Sounds, is.

Still, this low-key version by She & Him is charming.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Rhiannon Giddens Sings ‘Black Is the Color,’ ‘Shake Sugaree’ & More

T Bone Burnett has produced Rhiannon Giddens’ debut solo album Tomorrow Is My Turn< ,/em> which is set for a February 10, 2015 release.

Giddens, of course, is a member of the New Basement Tapes band, and was a major contributor to Lost On The River: The New Basement Tapes.

I like her version of “Shake Sugaree,” and “Black is the Color” is interesting.

Joan Baez, of course, recorded “Black is the Color” in the ’60s, and Bob Dylan had the line “Where black is the color, where none is the number” in “A Hard Rain’s A-Gonna Fall.”

I’m looking forward to hearing what Giddens does with Geeshie Wiley’s amazing “Last Kind Words.”

Check out three songs off the album.

“Black is the Color”:

“Don’t Let It Trouble Your Mind”:

“Shake Sugaree”:

Album track listing:

1
Last Kind Words (Geeshie Wiley)
4:14
2
Don’t Let It Trouble Your Mind (Dolly Parton)
3:45
3
Waterboy (Jacques Wolfe)
3:45
4
She’s Got You (Hank Cochran)
4:17
5
Up Above My Head (Sister Rosetta Tharpe)
3:09
6
Tomorrow Is My Turn (Charles Aznavour/Marcel Stellman/Yves Stéphane)
4:38
7
Black Is the Color (Traditional, arr. Rhiannon Giddens)
3:47
8
Round About the Mountain (Traditional, arr. Roland Hayes)
3:29
9
Shake Sugaree (Elizabeth Cotten)
4:25
10
O Love Is Teasin’ (Traditional, arr. Rhiannon Giddens)
4:31
11
Angel City (Rhiannon Giddens)
3:52

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Michael Goldberg & Guitiarist Henry Kaiser Live – ‘Like A Rolling Stone’ Set Me Free

Photo from my LitQuake reading, October 2014.
Photo from my LitQuake reading, October 2014.

Yesterday afternoon, Saturday December 13, 2104, I read from my novel, True Love Scars, as the acclaimed, Grammy-winning experimental guitarist Henry Kaiser improvised. And then Henry did a short, brilliant instrumental. The reading took place at Down Home Music in El Cerrito, CA.

I called the event a “post-beat happening.”

It was thrilling to read as Henry’s music lit up the room. When you’re on a stage and you’re in the groove, and the music, music you’ve never heard before, is exactly right for what you’re doing, you levitate.

Two sections I read were about how Bob Dylan’s music changed the narrator’s life. I’ve included both of those and then another excerpt which is the first few pages of the novel. Plus an instrumental improvisation by Henry that concluded the reading.

Down Home Music was an incredible environment for a reading. A room filled with CDs and vinyl and a wall of music books and music posters on the walls and incredibly knowledgeable folks running the place.

Where else is an impulse buy going to be a Roscoe Holcomb DVD?

Yep, I now own that DVD.

There was a nice write-up in advance of the reading in the East Bay Express and that brought a great group of folks into the store to hear me and Henry do our thing.

I read about 30 minutes while Henry utilized a guitar, a whammy bar and more than a dozen pedals to create a sonic backdrop for my words. Actually, it was more than a backdrop, as you’ll see if you listen to the first excerpt, below.

1) The impact of “Like A Rolling Stone”:

2) “It was Dylan, man!”:

3) How the book begins:

4) Henry’s concluding instrumental:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Video: Watch Bob Dylan Play Private Mini-Concert For One Fan

In November Fredrik Wikingsson got a private Bob Dylan mini-concert at Philadelphia’s Academy of Music.

Lucky Wikingsson had been picked for an episode of a Swedish film series called “Experiment Ensam” where, according to Rolling Stone, “a lone person takes part in events that are usually reserved for large crowds.”

Dylan and his band perform a cover of Buddy Holly’s “Heartbeat,” a beautiful downbeat version of Fats Domino’s “Blueberry Hill” and Chuck Wills’ “It’s Too Late (She’s Gone).” The mini-concert ends with the blues standard, “Key to the Highway.”

Rolling Stone has a story about this here.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Hear The New Basement Tapes Band Play Unreleased Version of Bob Dylan’s ‘Hidee Hidee Ho’

Jenny Eliscu talks to Elvis Costello and others about The New Basement Tapes album. Includes an unreleased version of “Hidee Hidee Ho” that ELvis sings.

The New Basement Tapes – Live on the Sirius XM, November 14, 2014.

Recorded on November 14, 2014 in Hollywood, CA. Featuring:
Elvis Costello – piano, Rhiannon Giddens – fiddle, vocals, Taylor Goldsmith – bass, vocals, Jim James – guitar, vocals, Marcus Mumford – guitar, vocals, Jay Bellerose – drums, Griffin Goldsmith – drums. Setlist:
00:00 intro
02:01 Diamond Ring (Goldsmith)
05:48 interview 1
10:37 Hidee Hidee Ho – “bootleg volume 2 version” (Costello)
12:25 interview 2
16:00 Down On The Bottom (James)
20:44 interview 3
29:31When I Get My Hands On You (Mumford)
32:53 interview 4
38:27 Lost On The River #20 (Giddens)
42:50 outro

Plus on November 12, 2014 the group did this radio performance:

00:00 Married To My Hack (Costello)
02:41 When I Get My Hands On You (Mumford)
05:48 Florida Key (Goldsmith)
10:01 Spanish Mary (Giddens)
15:27 Down On The Bottom (James)
19:42 Kansas City (Mumford)

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Live: East Bay Express Hypes Michael Goldberg/ Henry Kaiser ‘post-beat happening’

Big surprise today when I opened the latest East Bay Express and discovered that my reading Saturday with Henry Kaiser at Down Home Music is their pick for “Lectures & Lit” this week, and one of this weekend’s “Top Five Events.”

How cool is that!

I’ll read from my novel, True Love Scars, and experimental guitarist Henry Kaiser will improvise on electric guitar.

It’ll happen at 3 pm at Down Home Music, 10341 San Pablo Avenue, El Cerrito, CA. And it’s free, of course.

Writes Arts and Culture Editor Sarah Burke:

True Love Scars is a rock ’n’ roll novel about harboring nostalgia for the 1960s, getting lost in a drugged-up dream-world, finding love, and then losing it tragically.

You can read the rest of the writeup here.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Interview: Meet The Man Behind The Best Bob Dylan News Site, ‘Expecting Rain’

Karl Erik Andersen

The best Bob Dylan site, with the exception of Dylan’s own site, is Expecting Rain, and the man behind Expecting Rain is Norway-based Karl Erik Andersen.

This week he spoke to Ennyman’s Territory.

Read the interview here.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: The Juliana Hatfield Three Return With ‘If I Could’

Earlier this year Juliana Hatfield let it be known that she had regrouped her mid-90s trio, The Juliana Hatfield Three, the group that made the excellent 1993 album Become What You Are.

The song is off a new crowdfunded album, Whatever, My Love, and it will be released early next year.

Here’s a note from Hatfield that she posted on the Pledgemusic page for the crowdfunding of the album:

Todd, Dean, and I have just begun recording with the lovely and talented Tom Beaujour (who worked with me and Matthew [Caws] on the Minor Alps album) at the Nuthouse in Hoboken, New Jersey, and so far it is going great. Some of you may have previously heard some version of some of the songs we are working on. For example, one of the songs we are exploring is “If I Could”. We have always loved this song but there have only ever been demos of it; it has never been properly finished or produced. There are multiple attempted versions of it but the nut has never been quite cracked, and this has always sort of haunted me. Now I feel like I finally have the chance to get it right with Todd and Dean.
We are also exploring electricized band versions of a couple of the punchier acoustic home-recorded songs from my last album, “Wild Animals”. And there will be some other surprises.

Stay tuned for updates – we will keep in touch during the recording and mixing and in-between processes with photos, videos, and music.

Thank you so very much for being here with us to help us and encourage us and support us.

JH3 2014

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]