Category Archives: Film

“Inside Llewyn Davis”: Who Wrote That Song?

In “Inside Llewyn Davis” there’s a scene where Llewyn Davis records a novelty song, “Please Mr. Kennedy (Don’t Send Me Into Outer Space).”

Today The Hollywood Reporter published a fascinating piece about that song, asking the question: who really wrote it?

Here’s some of the story:

[T Bone] Burnett’s rep explains that the music maestro and the Coens adapted their song, “Please Mr. Kennedy,” from another novelty song of the same name that came out on the 1962 album Here They Are by The Goldcoast Singers. That tune depicts a comical draft-board scenario where some shaggy rock & rollers beg President John F. Kennedy not to induct them into the army. Since these lyrics were modified for the film, the new songwriting credit shows original writers Ed Rush and Ed Cromarty now accompanied by T Bone Burnett, The Coens, and Timberlake.

That’s interesting, because before that song there was a 45 single release of “Please Mr. Kennedy (I Don’t Want To Go)” by Mickey Woods in December 1961 on the Tamla-Motown label, and you can easily hear the similarity between that war-phobic plea and the Coen creation. Credits for that particular tune actually list Berry Gordy, Loucye Wakefield and Ronald Wakefield as the song’s composers — no trace of Messrs. Rush or Cromarty here.

Read the entire story here.

Please Mr. Kennedy from The Goldcoast Singers on Myspace.

— A Days of the Crazy-Wild blog post —

The Time Machine: Patti Smith Reads Poetry, Stars In Ivan Kral Film “Raven”

I came across this very cool eight minute film, “Raven,” that Ivan Kral made about Patti Smith and her band in 1975. It’s beautiful, and maybe four minutes into it Patti starts reciting her poetry.

“Raven,” from Prelinger Archives, directed by Ivan Kral with voiceover by Patti Smith.

These others have audio of Patti Smith reading her poetry.

Patti Smith Poetry Reading, 1973 NYC

Patti Smith: Poetry Reading at St. Mark’s Church, NYC (1972)

— A Days of the Crazy-Wild blog post —

Q&A: Kathleen Hanna Talks About “The Punk Singer”

Photo via the New York Times. Photo by Shervin Lainez.

In today’s New York Times Kathleen Hanna spoke about why she cooperated with having a documentary, “The Punk Singer,” made about her life, and why she is so open about herself in the film. “The Punk Singer” will be in theaters starting next week. There’s a clip from it below.

You really opened up your life, from late-stage Lyme disease to your relationship with your husband.

Mortality looming over you really changes your personality in such a huge way. I thought I was dying, so I was like, “I don’t care anymore — I am vulnerable. I’m sick of being guarded!” Adam really got me through coping with Lyme: every day, he would place every single one of the 39 pills I had to take in my pill case so I didn’t have to do it. He’s the person who changed my IV bags, kept the house clean, cooked every single meal for me and kept everything running for two years. Besides the fact that he’s hot as hell, really talented and has the best sense of humor of anyone I know, who else would change an IV bag for you while you’re laying on the couch having a seizure?

“The Punk Singer” begins with footage of you performing an early confessional spoken-word piece where you describe the importance of “screaming what’s unspoken.”

I’m standing in a coffee shop with Ian MacKaye and Guy Picciotto of Fugazi, rocking back and forth and saying all this stuff about incest! When I see it today, my stomach drops and I want to hide under a blanket. At the same time, that’s what I was like — Mr. Confrontation.

For more, head to the New York Times.

Watch: Robert Plant’s Malian Journey, “Zirka”

In 2003 Robert Plant and his band headed to Mali and Performed at the Festival in the Desert. The trip was videoed, mostly by Plant himself, and has been turned into an eight part series, “Zirka.” The first episode went online today, and there will be a new one every Monday. You can catch them each week here at Days of the Crazy-Wild, or head to Robert Plants website and watch there.

Robert writes on his Website about the series:

Call it fate or lady luck smiling down on me…

In 2001 my life in music hit a wondrous curve onto a road of good fortune – of new invention. I am ever intrigued by new possibilities and places and people to land amongst.

Zirka is a rough travelogue…

A journey of revelation…one of the most illuminating and humbling experiences of my life.
A journey that took us from the scurry and bustle of our world into the homeland of the Tuareg..the Sahel of Mali, Timbuctoo and north to Essakane.
A journey that could only reinforce the power and the great gift of music across and between cultures..sharing outside of language. A world where for awhile, at least borders, boundaries and barriers once again fell away..as it was long ago..

— RP

Watch the first episode below:

Watch & Listen: Director Jim Jarmusch Makes Noise-Rock

jimJ

Director Jim Jarmusch is known for his films but he also plays guitar.

For his film “The Mystery Of Heaven” he collaborated musically with classical lutenist Jozef Van Wissem.

Now there’s a video for the instrumental, “Etimasia,” directed by filmmaker Jacqueline Castel, which you can look at while you hear the duo’s minimal music.

Michael Stipe Sings “Pale Blue Eyes” In Laura Levine Film

This is quite beautiful. The photographer Laura Levine shot Super-8 footage for a still unreleased film, “Just Like A Movie,” in 1983. Here’s Michael Stipe singing “Pale Blue Eyes.”

On R.E.M.’s remhq website, Laura Levine writes:

“it’s an excerpt from the original unreleased Super-8 film “Just Like a Movie.” With the sad news about Lou Reed’s passing last week, it seemed the right time to share this particular scene, of Michael singing “Pale Blue Eyes” by the railroad tracks. (The song itself was recorded earlier that day on a Walkman, with Matthew Sweet on guitar). Jeremy Ayers makes a magical appearance as Puddlefoot.”

Thanks remhq!

Banksy NYC Art Day #19: Ants Going For The Honey, Baby

For Day #19 of Banksy’s “Better Out Than in” the artist has uploaded a video of ants chaotically running around a crack in a wall (or maybe it’s on the ground).

The camera eventually pulls back to reveal the partial outline of a woman’s body, with the crack strategically located, making this piece, located on Staten Island, a potential spoof of Gustave Courbet’s 1866 “L’Origine du monde.” Then again, perhaps Banksy is commenting on the reaction in NYC to his art. Or to anything that gets media attention. Or not.

If you missed my previous Banksy posts, here’s an easy way to check them out: Day one, day two, day three, day four, day five, day six, day seven, day eight, day nine, day ten, day 11, day 12, day 13, day 14, day 15, day 16, day 17, day 18. Plus: “A Consideration Of The Politics Of Banksy’s Syria Video,” “Source For Banksy’s ‘Concrete Confessional’ Revealed,” and “Banksy Update: NYC Mayor Attacks Street Artist.”

Stone Roses’ Film Coming To U.S. Theaters, DVD

stone r

Remember The Stone Roses? Really? It was 24 years ago that the group released the album that put them on the map, The Stone Roses. It remains an awesome album, but 24 years ago is a long time. Still, when the group reformed in 2011 and toured in 2012, the world didn’t yawn.

In England the group sold 220,000 tickets in an hour. Rolling Stone praised The Stone Roses’ 2013 Coachella appearance.

“Throughout the Stone Roses’ performance, [John] Squire took the songs to unexpected frontiers with unhinged, dimensional lead playing that felt both retro and futuristic, moving from full-on boogie to spectral echoes within the same passage,” Rolling Stone reported.

A film, “The Stone Roses: Made Of Stone,” was made of the reunion tour. It was released in the UK earlier this year,but now it’s coming to the U.S. It’ll be in theaters beginning Nov. 6, 2013 and the DVD and Blu-ray will be released Dec. 3, 2013.

Reviewing the film in England’s The Independent, Anthony Quinn wrote: “‘The Second Coming’ would have been a better title for this documentary about the return of The Stone Roses, but they’d already used it for an album.

“Tickled to be the chosen chronicler of the band’s momentous reunion in 2011, director Shane Meadows (‘This Is England’) presents a fan’s view of the story, which proves to be good news and bad. He loves the music, and conveys something of its headlong energy in both rehearsal and live settings. Just to hear the opening bass rumble of ‘I Wanna Be Adored’raised the hairs on the back of my neck.”

Here’s a promo for the film:

Here’s the original video for one of the group’s best songs, “I Wanna Be Adored”: