Check out this footage from the upcoming Elliott Smith documentary, “Heaven Adores You.”
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This film was shot by Andy Warhol in 1967 at the Boston Tea Party, a concert venue in Boston.
It’s quite experimental as a film. The sound quality is mostly terrible. I’ve also included audio of another concert by the VU at the Boston Tea Party with good sound.
But as a document the Warhol footage is fascinating.
Here’s what was posted along with the video on YouTube:
THE VELVET UNDERGROUND IN BOSTON (1967, sound, color, 33 mins. Dir: Andy Warhol):
This newly unearthed film, which Warhol shot during a concert at the Boston Tea Party, features a variety of filmmaking techniques. Sudden in-and-out zooms, sweeping panning shots, in-camera edits that create single frame images and bursts of light like paparazzi flash bulbs going off mirror the kinesthetic experience of the Exploding Plastic Inevitable, with its strobe lights, whip dancers, colorful slide shows, multi-screen projections, liberal use of amphetamines, and overpowering sound. It is a significant find indeed for fans of the Velvets, being one of only two known films with synchronous sound of the band performing live, and this the only one in color. It’s fitting that it was shot at the Boston Tea Party, as the Beantown club became one of the band’s favorite, most-played venues, and was where a 16-year-old Jonathan Richman faithfully attended every show and befriended the group. Richman, who would later have his debut recordings produced by John Cale, and later yet record a song about the group, is just possibly seen in the background of this film.
Here’s geat audio of a live show at the same venue but in 1969:
Thanks Doom and Gloom From the Tomb!
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-
This is a great preview of an Elliott Smith documentary, “Heaven Adores You,” that I sure want to see.
Over half of the songs used in “Heaven Adores You” are unreleased recordings that NME reports were dug out of record label vaults just for the film.
“Heaven Adores You” was directed by Nickolas Rossi.
The film screened on May 5 at the San Francisco International Film Festival, and it will screen again June 20th & 21st as part of AFI Docs Documentary Film Festival in Washington, DC.
–- A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-
Donovan is a running gag in the Bob Dylan documentary, “Don’t Look Back.”
Here is the triumphant scene in which Donovan gives it his best shot, playing his “To Sing For You,” and then all Dylan has to do is play “It’s All Over Now, Baby Blue,” and it really is all over. For Donovan.
– A Days of the Crazy-Wild blog post –
Bob Weir and Ratdog did this awesome 11+ minute version of “Desolation Row” at Shea’s Performing Art Center, Buffalo, New York, on March 4, 2014.
This year’s Tribeca Film Festival will screen a new documentary, “The Other One: The Long, Strange Trip of Bob Weir. The festival takes place from April 16 to 27 in NYC.
Here’s what’s on the Tribeca site:
The Other One: The Long, Strange Trip of Bob Weir
Directed by Mike Fleiss
(USA) – World Premiere, Documentary
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
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