Category Archives: album

Audio: Hear The New Basement Tapes Band Play Unreleased Version of Bob Dylan’s ‘Hidee Hidee Ho’

Jenny Eliscu talks to Elvis Costello and others about The New Basement Tapes album. Includes an unreleased version of “Hidee Hidee Ho” that ELvis sings.

The New Basement Tapes – Live on the Sirius XM, November 14, 2014.

Recorded on November 14, 2014 in Hollywood, CA. Featuring:
Elvis Costello – piano, Rhiannon Giddens – fiddle, vocals, Taylor Goldsmith – bass, vocals, Jim James – guitar, vocals, Marcus Mumford – guitar, vocals, Jay Bellerose – drums, Griffin Goldsmith – drums. Setlist:
00:00 intro
02:01 Diamond Ring (Goldsmith)
05:48 interview 1
10:37 Hidee Hidee Ho – “bootleg volume 2 version” (Costello)
12:25 interview 2
16:00 Down On The Bottom (James)
20:44 interview 3
29:31When I Get My Hands On You (Mumford)
32:53 interview 4
38:27 Lost On The River #20 (Giddens)
42:50 outro

Plus on November 12, 2014 the group did this radio performance:

00:00 Married To My Hack (Costello)
02:41 When I Get My Hands On You (Mumford)
05:48 Florida Key (Goldsmith)
10:01 Spanish Mary (Giddens)
15:27 Down On The Bottom (James)
19:42 Kansas City (Mumford)

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: The Juliana Hatfield Three Return With ‘If I Could’

Earlier this year Juliana Hatfield let it be known that she had regrouped her mid-90s trio, The Juliana Hatfield Three, the group that made the excellent 1993 album Become What You Are.

The song is off a new crowdfunded album, Whatever, My Love, and it will be released early next year.

Here’s a note from Hatfield that she posted on the Pledgemusic page for the crowdfunding of the album:

Todd, Dean, and I have just begun recording with the lovely and talented Tom Beaujour (who worked with me and Matthew [Caws] on the Minor Alps album) at the Nuthouse in Hoboken, New Jersey, and so far it is going great. Some of you may have previously heard some version of some of the songs we are working on. For example, one of the songs we are exploring is “If I Could”. We have always loved this song but there have only ever been demos of it; it has never been properly finished or produced. There are multiple attempted versions of it but the nut has never been quite cracked, and this has always sort of haunted me. Now I feel like I finally have the chance to get it right with Todd and Dean.
We are also exploring electricized band versions of a couple of the punchier acoustic home-recorded songs from my last album, “Wild Animals”. And there will be some other surprises.

Stay tuned for updates – we will keep in touch during the recording and mixing and in-between processes with photos, videos, and music.

Thank you so very much for being here with us to help us and encourage us and support us.

JH3 2014

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Frank Sinatra & Bob Dylan Sing the Songs From ‘Shadows In The Night’

Now that we know the songs that will be on Bob Dylan’s next album, Shadows In The Night, all of which are best known for Frank Sinatra’s recordings of them in the 1940s, 1950s and 1960s. I thought it would be fun to hear Sinatra’s versions, along with versions of three of them by Dylan.

In addition to Dylan’s version of “Full Moon And Empty Arms,” which was officially made available online last May, I’ve included a live version of “Stay With Me” from one of the Beacon Theater shows, and two versions of “That Lucky Old Sun,” one with Tom Petty and The Heartbreakers backing Dylan.

In a statement Bob Dylan said this about the upcoming album: “It was a real privilege to make this album. I’ve wanted to do something like this for a long time but was never brave enough to approach 30-piece complicated arrangements and refine them down for a 5-piece band. That’s the key to all these performances. We knew these songs extremely well. It was all done live. Maybe one or two takes. No overdubbing. No vocal booths. No headphones. No separate tracking, and, for the most part, mixed as it was recorded. I don’t see myself as covering these songs in any way. They’ve been covered enough. Buried, as a matter a fact. What me and my band are basically doing is uncovering them. Lifting them out of the grave and bringing them into the light of day.”

Enjoy.

Frank Sinatra, “I’m A Fool To Love You”:

Frank Sinatra, “The Night We Called It A Day”:

Frank Sinatra, “Stay WIth Me”:

Bob Dylan, “Stay With Me,” live at the Beacon Theater, NYC, Nov. 29, 2014:

Frank Sinatra, “Autumn Leaves”:

Frank Sinatra, “Why Try To Change Me Now”:

Frank Sinatra, “Some Enchanted Evening”:

Frank Sinatra, “Full Moon And Empty Arms”:

Bob Dylan, “Full Moon And Empty Arms”:

Frank Sinatra, “Where Are You?:

Frank Sinatra, “What’ll I Do”:

Frank Sinatra, “That Lucky Old Sun”:

Bob Dylan & Tom Petty & The Heartbreakers, live, True Confessions Tour, 1986:

That Lucky Old Sun by Bob Dylan and Tom Petty on Grooveshark

Bob Dylan, “That Lucky Old Sun,” live, Irvine Meadows Amphitheate, Irvine, CA, June 29, 2000:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Video: The Story Of Bob Dylan’s ‘Basement Tapes’ – 24 Minute Mini-Documentary

This is excellent. Greil Marcus, Sid Griffin and others tell the story of Bob Dylan’s “Basement Tapes.”

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Hear American Music Club Cover Bob Dylan’s ‘Queen Jane Approximately’

In 2005 Uncut magazine included a CD, Highway 61 Revisited Revisited, of Bob Dylan covers with one of their issues, and one of those covers, “Queen Jane Approximately,” was by the great San Francisco band, American Music Club.

Check it out:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Michael Goldberg & T Bone Burnett Talk About the ‘Basement Tapes’

As I posted last week, I did an interview with Brian Wise on Triple R radio in Australia about Bob Dylan and the Basement Tapes.

I talk about the background and context in which the Basement Tapes sessions occurred, and why they’re important. Following my interview is an interview with T Bone Burnett.

The interviews aired this past Saturday, but now they’re available on-demand.

You can now stream all of it right now online at Triple R radio right here.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Video: Johnny Depp & Haim Join The New Basement Tapes to Sing Dylan Songs at Ricardo Montalban Theatre

Johnny Depp, Marcus Mumford & Jim James.

Last night (Nov. 13, 2014) the band T Bone Burnett put together to turn a bunch of lyrics Bob Dylan wrote in 1967 while recording the Basement Tapes in upstate New York into an album, performed songs from the new album, Lost On The River: The New Basement Tapes, at the Ricardo Montalban Theatre in Los Angeles.

That band, dubbed The New Basement Tapes, consists of Marcus Mumford, Elvis Costello, Taylor Goldsmith, Jim James and Rhiannon Giddens. For the show, they were augmented on a few songs by the three women of Haim, and Johnny Depp.

Rhiannon Giddens and the Haim sisters.

Here you can see them perform “Kansas City,” with Marcus Mumford on lead vocal, “Duncan and Jimmy” with Rhiannon Giddens singing, “Card Shark, with Taylor Goldsmith taking the lead and some of “Married To M Hack,” which Elvis Costello sings.

“Kansas City”:

“Duncan and Jimmy”:

“Card Shark”:

“Married To My Hack” (partial):

Plus here they are with Elvis on vocals singing “Lost On The River” on Jimmy Fallon. This aired on NBC on November 10th, 2014.

And here’s Marcus Mumford taking the lead on “Kansas City” on Ellen today.

Setlist:

Down on the Bottom – Jim James vocals
Spanish Mary – Rhiannon Giddens vocals
Liberty Street – Rhiannon Giddens vocals
Married to My Hack – Elvis Costello vocals
The Whistle is Blowing – Marcus Mumford vocals with Haim on backing
vocals
Diamond Ring – Taylor Goldsmith vocals
Nothing to It – Jim James vocals
Lost on the River – Elvis Costello vocals
Florida Key – Taylor Goldsmith vocals
Stranger – Marcus Mumford vocals
Hidee Hidee Hidee Ho – Rhiannon Giddens vocals
Hidee Hidee Hidee Ho (alternate version) – Jim James vocals
“Unreleased track” – Elvis Costello
Kansas City – Marcus Mumford Vocals with Johnny Depp on guitar and Haim
on back-up vocals
Duncan and Jimmy – Rhiannon Giddens vocals with Johnny Depp on guitar
and Danielle Haim on shakers

– Encore break –

When I Get My Hands on You – Marcus Mumford vocals
Lost on the River – Rhiannon Giddens
Card Shark (unamplified) – Taylor Goldsmith vocals
Quick Like a Flash – Jim James vocals
Golden Tom – Silver Judas – Elvis Costello vocals

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

T Bone Burnett & Michael Goldberg To Discuss ‘Basement Tapes’ On Triple R Radio – Listen Online!

I’ll be discussing the Basement Tapes with DJ Brian Wise on his Melbourne, Australia radio show, Off The Record, on Triple R radio at 9:45 Australian time.

If you miss the live broadcast, the show will be available on-demand a few days after it airs and I’ll be doing a post about that with a link to the stream.

But listen live, it’s more fun.

I’ll talk about why the Basement Tapes are important, the context for their creation and more.

Following me Brian Wise will interview T Bone Burnett about the Basement Tapes and the New Basement Tapes album Burnett produced with Elvis Costello, Jim James ad others. Should make for a great show if you care about Bob Dylan.

Since the show is broadcast in Australia, those of us in the U.S. should tune in on Friday November 14 in the afternoon at 2:45 pm, and if you’re elsewhere in the world, you can figure out when to tune in easy enough. Use this time zone converter.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Seven Things I Learned from Rolling Stone’s Bob Dylan & the ‘Basement Tapes’ Cover Story

The new issue of Rolling Stone features a fascinating cover story by David Browne about the Basement Tapes.

Here are seven things I learned from the story that I didn’t know before I read it.

1) In late 1967 Garth Hudson gave a pine box full of the seven inch reel-to-reel tapes he’d made of the recordings Bob Dylan, Robbie Robertson, Rick Danko, Richard Manuel and Hudson had made during the previous six months or so to Dylan’s manager’s wife, Sally Grossman, for safekeeping. “Garth said I was to guard these tapes because he was going away for a while,”Sally Grossman told Rolling Stone.

One of the Basement tapes.

2) Some of the musicians who made the tapes, and some of their friends who heard some of the songs didn’t get it — including Bob Dylan.

“I never really liked the Basement Tales,” Dylan told Rolling Stone in 1984.”I wouldn’t have put them out.”

“We would do these songs and fall on the floor laughing,” Robbie Robertson said in 1998.

“Frankly, I didn’t quite get it at the time because it was a bunch of guys messing around,” Happy Traum told Rolling Stone.

As for Sally Grossman, it’s hard to figure out what she thought.

“It sounded like throwaway stuff. Nonsense stuff. Bob and the guys were hanging out, playing and having fun,” Grossman recently told the British paper, the Observer. “The titles alone are enough of a clue. The Mighty Quinn, Mrs Henry, Lo & Behold! Bob wasn’t playing the songs live. The Band wasn’t. They weren’t thinking these were songs for release.”

But Grossman told Rolling Stone that when she listened to some of the tapes Hudson left with her including “Lo & Behold!” and “Quinn the Eskimo,” “They were great.”

“Lo and Behold!”:

3) Before the motorcycle accident, when Dylan was spending time at the Hotel Chelsea in New York, partying with Robertson and Edie Sedgwick, there was one party where he wore black-and-white striped pajama bottoms and a red, brown and gold polka-dot top.

4) The Big Pink house — where members of what would become The Band lived, and where the Basement Tapes were recorded — rented for $125 a month.

5) One reason why Dylan stopped the sessions in the “Red Room” of his own house (a room with burgundy walls) and moved to Big Pink was to get away from the wife and kids. “It was his house,” Hudson told Rolling Stone. Dylan probably didn’t want his young kids to be around a bunch of pot smoking musicians.

6) Donald Fagen of Steely Dan fame now lives in the 11-room house in the Byrdcliffe Colony where Dylan once lived.

Garth Hudson back in the basement, 2014.

7) Canadian music archivist and producer Jan Haust, who worked on getting the just released Basement Tapes Complete to sound as good as possible, bought the actual seven inch reels from Garth Hudson for around $30,000, a source told Rolling Stone. “I have an arrangement with Garth Hudson, and we’ll just leave it at that,” Haust told Rolling Stone.

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]

Audio: Previously Unreleased Velvet Underground Track , ‘I Can’t Stand It’ + ‘I’m Waiting For The Man’

Coming later this month is a 6-CD deluxe edition of the Velvet Underground’s incredible third album, which is titled The Velvet Underground.

The box includes two CDs recorded live at The Matrix in San Francisco in 1969 plus a previously unreleased album dating back to 1969. Read more about it here at Consequence Of Sound.

Meanwhile check out two tracks from the set:

Until Nov. 7 at 1 am you’ll need to listen to this first one here.

“I Can’t Stand It”:

“I’m Waiting For The Man”:

[I just published my rock ‘n’ roll novel, True Love Scars.” Rolling Stone has a great review of my book in a recent issue. Read it here. There’s info about True Love Scars here.]