Monthly Archives: January 2015

Maria Muldaur, Chris O’Connell, Barbara Dane to Play Benefit For Bluesmen Paul Geremia and Johnny Harper

Maria Muldaur

A benefit concert for Bay Area bluesman Johnny Harper and Paul Geremia will be help on January 28, 2015 at the Freight & Salvage in Berkeley, California.

Among the artists playing the benefit are fold-blues legend Maria Muldaur, former Asleep At The Wheel singer Chris O’Connell, and singer Barbara Dane,

Johnny Harper is a superb guitarist, bandleader, singer and songwriter. Paul Geremia is a highly respected acoustic blues performer, finger-style guitarist, and songwriter, with ten solo albums to his credit. Both men have recently suffered serious health issues.

Here’s Johnny Harper on the concert:

Why a benefit? Many of you do not know that I’ve been dealing with a very tough health situation this past fall. I was hospitalized from early September to mid-November. The reason was a blood-clotting problem called a pulmonary embolism. This is very, very serious; the doctors were very doubtful that I would survive it. But survive it I did. Then there was a long period of recovery from the trauma; a lot of physical therapy was needed to help me get my strength back. I’m home now, and feel pretty good in most respects. I am getting around well, am doing physical therapy exercises daily and taking care of myself. I am playing guitar well again, and am starting to teach some of my guitar students. But there are other respects in which I’m still in the recovery phase. Also, of course, I lost months of work, months of income, and have unpaid medical bills which are not entirely covered by my health insurance.

So some friends in the musical community – spearheaded by the tireless organizer and great fiddler/ singer Suzy Thompson – have put together this wonderful Acoustic Blues Festival night at Freight and Salvage, as a benefit for me and also for Paul Geremia, a distinguished acoustic blues artist of many years’ standing, who has also suffered difficult and costly health setbacks recently.

The Freight is of course the West Coast’s premier folk music venue, and now holds 400 in its very comfortable downtown Berkeley location.

I’ll say more about the stellar lineup of performers in a moment. But the main message is, this will be a wonderful night of music with lots of terrific artists playing. And also – well, both Paul and I have played many benefit shows over the years, for friends in need and for causes we believe in. This time around, we will sure be grateful for whatever support you can give us.

AMONG THE PERFORMERS YOU’LL BE HEARING:

Maria Muldaur, a true star of Americana music, has been knocking listeners out since her early days with the Jim Kweskin Jug Band back in the 1960s. She has recorded 30 albums under her own name, starting off with her self-titled first record which made her famous for the hit “Midnight at the Oasis.” Her albums and performances cover a vast range of American roots music styles – uptown urban blues, down home country blues, jazz and swing, gospel, New Orleans R&B, and more. She remains a sultry, vivacious singer and a powerful performer. In 2004 I played a brief tour as her lead guitarist, filling in for her regular guy. See much more on her albums and upcoming performances at www.mariamuldaur.com.

Barbara Dane is an American music legend, still a very powerful, moving, and creative singer at age 87! She’s a great performer of blues, folk music, and traditional jazz, and sings in various international idioms as well. She’s recorded in all these styles since the 1950s. She has worked with jazz giants Louis Armstrong, Earl Hines, and Jack Teagarden; blues masters Muddy Waters, Lightning Hopkins, and Memphis Slim; folk music legends Woody Guthrie and Pete Seeger; and countless other important artists. Her lifelong commitment to peace and social justice still informs her song choices and the causes for which she performs. I have been lucky enough to work many shows with her, as accompanist and occasional band director, for the last 15 years. Details on her many recordings at www.barbaradane.net.

Chris O’Connell, famous for her 15-year stint as the original lead singer in Asleep at the Wheel, recently relocated to the Bay Area and released a fine new album. Steve James, veteran blues singer and fine finger-picking guitarist, has worked with John Sebastian, Cindy Cashdollar, Alvin Youngblood Hart, James McMurtry, Bo Diddley, Maria Muldaur, and many more. Catfish Keith specializes in the traditional “bottleneck”slide style played on the metal-bodied resonator guitar.

Several long-time Bay Area musical friends of mine are also featured. I’ve played informally with all these artists for many years. Eric and Suzy Thompson are well-known for playing old-time music, bluegrass, Cajun music, Greek music, and lots of traditional blues. Suzy’s powerful vocals and fine fiddling, and Eric’s fleet-fingered guitar and mandolin work, add life to every style they turn their hands to. Suzy has also written some fine songs. I produced an early CD of theirs, Adam and Eve Had the Blues on Arhoolie. Marc Silber’s long life story in music includes a stint in the early ’60s Greenwich Village folk scene. He is well known as a guitar dealer, but should be better known as the superb musician he is. His finger-style guitar playing and his deep, authentic feel for traditional blues are wonderful; his singing is captivating and soulful. Will Scarlett is a true virtuoso of the harmonica, seemingly able to jump in any song, in any style, in any key, at the drop of a chord change! He’s performed and recorded with many fine artists – Brownie McGhee, Jerry Garcia, Hot Tuna, Old and In the Way, David Bromberg, and Clifton Chenier, to name a few.

Paul Geremia, not expected to perform on this occasion, is the other beneficiary of this special concert; he’s been struggling with difficult health problems for the last year.

Those of us who really love the blues know that it’s music to celebrate life joyfully by – and also, music that can really help us, can be there for us to lean on, when we’re having hard times.

Come celebrate with us, come hear the blues in many styles and variations, on January 28th! Tell your friends! I hope to see you there.

– A Days of The Crazy-Wild blog post –

Video: Bob Dylan In Concert, Madison Square Garden Arena, 2001

A decade and a half ago Bob Dylan was still filling his sets songs from his past.

On November 19, 2001 he brought his band to the Madison Square Garden Arena in New York and performed a set that included songs from many of the albums he recorded in the ’60s and early ’70s.

Someone was nice enough to share this very cool video of the show:

Set List:

Wait For The Light To Shine
It Ain’t Me, Babe
A Hard Rain’s A-Gonna Fall
Searching For A Soldier’s Grave
Tweedle Dee & Tweedle Dum
Just Like A Woman
Just Like Tom Thumb’s Blues
Lonesome Day Blues
High Water (For Charley Patton)
Don’t Think Twice, It’s All Right
Tangled Up In Blue
John Brown
Summer Days
Sugar Baby
Drifter’s Escape
Rainy Day Women #12 & 35
Things Have Changed
Like A Rolling Stone
Forever Young
Honest With Me
Blowin’ In The Wind
All Along The Watchtower

Audio: 41 Years Ago Bob Dylan & The Band Play Toronto – ‘As I Went Out One Morning’

Photo via Manhattman.com.

Forty-one years ago, on January 10, 1974, Bob Dylan and The Band played the second of a two-night run at the Maple Leaf Gardens in
Toronto, Ontario, Canada.

The 1974 tour had begun just seven days earlier at Chicago Stadium in Chicago, Illinois. The second Toronto show was Dylan’s sixth performance of the tour.

It was, of course, Dylan’s first tour with The Band since they had stormed through Europe together, dismaying many fans of Dylan’s ‘folk’ phase with some of the most exciting rock ‘n’ roll ever played on this planet.

It was a huge tour — the shows were held at arenas across the country. In Oakland in February 1974, for example, two shows at the Oakland Coliseum Arena sold out.

Here’s a recording of “As I Went Out One Morning,” from the second night at the Maple Leaf Gardens.

It’s from a bootleg of the show, As I Went Out One Evening.

According to www.bjorner.com this is the only time Bob Dylan has ever performed “As I Went Out One Morning” live.

“As I Went Out One Morning” appeared on John Wesley Harding.

As I Went Out One Morning by Bob Dylan on Grooveshark

Plus the John Wesley Harding version:

-– A Days of the Crazy-Wild blog post: sounds, visuals and/or news –-

Audio: Bob Dylan Vs. A.J. Weberman, January 1971 – ‘amazing insight into Dylan as a human being’

A.J. Weberman, back in the day.

Bob Dylan talking via phone to A.J. Weberman on Jan 6th & 9th, 1971.

You can listen or download over at the ubuweb site.

I found this comment on ubuweb about the recordings of interest:

The material shows amazing insight into Dylan as a human being, a family man and an artist.

Here’s the full info about these recordings as posted on ubuweb:

These are the telephone tapes made by A.J. Weberman of two phone calls (Jan 6th & 9th, 1971) to Bob Dylan regarding an article published by Weberman concerning Bob Dylan. Weberman became infamous for going through Dylan’s trash and selling the garbage he found. I obtained this copy of these recordings from a generation-counting private collector in Ireland 15 years ago and, at the time, I was told they were sourced from a reel to reel copy made from Weberman’s cassettes, rather than from the Folkways LP edition. The material shows amazing insight into Dylan as a human being, a family man and an artist. I decided not to try to clean up the material using DSP since the previous trader left it as he got it.”

– A Days Of The Crazy-Wild blog post –

Audio: Stream/Download Angel Olsen Live At The Bowery Ballroom, Dec. 9, 2014

Angel Olsen is one of my favorite contemporary artists. Thanks to Doom & Gloom at the Tomb and NYC Taper we get to hear her recent set at the Bowery Ballroom in New York.

You can steam the set below or head to NYCTaper and download as MP3s or Flacs.

Olsen’s Burn Your Fire for No Witness was in my best-of list for 2014.

Stream the complete set:

– A Days Of The Crazy-Wild blog post –

Video: Engineer Al Schmitt On Bob Dylan’s New Album – ‘My wife thinks it’s sexy’

Interview with Albert Harry “Al” Schmitt, the engineer on Bob Dylan’s upcoming album, Shadows In The Night, which was recorded at Capitol Records studio B in Los Angeles.

Schmitt, who is also a producer, has worked with Frank Sinatra, Henry Mancini, Cal Tjader, Al Hirt, Rosemary Clooney, Liverpool Five, The Astronauts, Sam Cooke, Steely Dan, Neil Young and many more.

Santa Clarita journalist Stephen K. Peeples interviews Schmitt.

“It’s like nothing you’ve ever heard Dylan do,” Schmitt says of Shadows In The Night.

Pretty technical interview but interesting all the same.

Schmitt says 23 songs were recorded, although only ten are on the album.

This is apparently the first of eight segments, but it’s not clear how much more of the interview is about the Dylan album.

Thanks to Eduardo Ricardo for finding this clip.

– A Days Of The Crazy-Wild blog post –

Video/ Audio: Wonderful Scene from ‘Don’t Look Back’ – ‘Love Is Just A Four-Letter Word,’ ‘Lost Highway’ & More

Bob Dylan with Joan Baez.

“Don’t Look Back,” the documentary of Bob Dylan’s 1965 tour of England, is wonderful in its entirety, but here we have a great scene in the Savoy Hotel that took place on May 3rd or 4th 1965, in which first we see Dylan typing — presumably working typing up song lyrics from handwritten notes — while Joan Baez sings Dylan’s “Percy’s Song” and then his great “Love Is Just A Four-Letter Word.”

Next Dylan takes the guitar to sing some of two Hank William’s classics: “Lost Highway,” with the opening line, “I’m a rolling Stone….” and “I’m So Lonesome I could Cry.”

Dylan recorded “Percy’s Song” during the sessions for The Times They Are A-Changin’ in 1963 but didn’t include it on the album.

Dylan wrote “Love Is Just A Four-Letter Word” in 1965, so it was a new song when Baez started singing it.

“Lost Highway” was written by country singer-songwriter Leon Payne in 1948 and recorded by Hank Williams in 1949.

“I’m So Lonesome I could Cry” was written and recorded by Williams in 1949.

Here’s Dylan singing “Percy’s Song” live at the Carnegie Hall, 1963:

Here’s Hank Williams doing “Lost Highway” and “I’m So Lonesome I Could Cry”:

Joan Baez sings “Love Is Just A Four-Letter Word”:

– A Days Of The Crazy-Wild blog post –

Video: Bob Dylan & The Band Open 1974 Tour with ‘Hero Blues’

Forty-one years ago, Bob Dylan and The Band opened their historic 1974 tour with “Hero Blues,” an unreleased Dylan song that he recorded in 1962 during The Freewheelin’ Bob Dylan sessions but left off the album.

The show took place at the Chicago Stadium in Chicago, Illinois.

Here are versions recorded during The Freewheelin’ Bob Dylan sessions:

Take one:

Take two:

Tale four:

Lyrics:

Yes, the gal I got
I swear she’s the screaming end
She wants me to be a hero
So she can tell all her friends

Well, she begged, she cried
She pleaded with me all last night
Well, she begged, she cried
She pleaded with me all last night
She wants me to go out
And find somebody to fight

She reads too many books
She got new movies inside her head
She reads too many books
She got movies inside her head
She wants me to walk out running
She wants me to crawl back dead

You need a different kinda man, babe
One that can grab and hold your heart
Need a different kind of man, babe
One that can hold and grab your heart
You need a different kind of man, babe
You need Napoleon Boneeparte

Well, when I’m dead
No more good times will I crave
When I’m dead
No more good times will I crave
You can stand and shout hero
All over my lonesome grave

— A Days Of The Crazy-Wild blog post —